For nine hundred years, I have gone through the vicissitudes of the world for you. Just wait for the spring breeze to wake up the peach blossoms and engrave eternity into the youth.
Year after year, I have traveled to many places and failed to find the way of rebirth. But I have helped many people who have encountered difficulties.
If you still Living will be happy because of this, right? The passage of time gradually becomes blurred. There is no news of the old man in the distance.
I heard that there are faint legends about the rebirth of the dead in the far north.
Until the end, I will continue to search and keep searching.
One day, I will return to Peach Blossom Valley with you. At that time, we will never be separated again. Chapter Preface Gu Jian Qi Tan Project Leader Chief Planning Screenwriter Mou Shu Unknowingly Gu Jian It’s been nearly two years since Qi Tan’s launch. The story novel based on this stand-alone role-playing game is finally about to be published.
As the original author of the story, I was asked to write a preface to express my inner thoughts.
In fact, this matter still makes me quite at a loss. I don’t know what to say.
Why did the girl in the company say that you didn’t specifically write the original idea of creating this story in the Gu Jian Qi Tan project setting collection before, why not write it this time, so I continue to be at a loss to say that the setting of the whole story is big The context of the world view is as small as a sentence of dialogue and a punctuation point. I have gone through countless times in my mind and eyes, and I can clearly say every design point. But the reason for why such a story started is probably because all the thoughts have been scattered into a thousand words. Thousands of words are integrated into the game itself, so it can’t be said for a while.
I tried to recall the beginning and express the so-called source idea in the most understandable language for others. From the beginning to the end, I probably wanted to create a game about time. The story creates a world with a sense of time flow. I’ve heard it said that every subsequent work you create is actually just a continuation of the first work.
I don’t know if this theory is common to all designers, but in As far as I am concerned, at least Gu Jian Qi Tan does have some ideas that I wanted to express in previous works but could not be realized due to various reasons. They are not a specific plot or character, but a big concept. I want to go Describe some fragments in the torrent of time. They are a spray in the rushing river, and also the brilliance of a meteor streaking across the sky.
Each fragment is an independent existence, just because it is only a small part of the universe, but a part of the almost eternal time.
The moment is precious, so there is the world view of the ancient sword and the strange story, and the souls of many tribes in the three realms of heaven, earth, and man. Heguo, even all of these may be just a part of this world. Some people say that they want to use this to express a grand worldview. I have never thought about using a wide-angle lens to tell the world. Even if it is used, it will start with big events and then Turning to small incidents, of course, there are external objective conditions that affect the expression The constraints of the present technique are also related to my original design ideas. As I said before, each piece of time fragment can become an independent story. You don’t have to think about the threshold and take a burden to read it. If you meet someone more destined, no matter what you do. As the author or as a reader, we should have more fun with each other.
Maybe you can try to put these pieces together and gradually see more about the appearance and laws of this world. The stories of Gu Jian Qi Tan will be like this This is also the case in its derivative novel Shenyuan Guji. The story of the game Gu Jian Qi Tan generation will be presented to readers in the form of a novel by Ning Zhou, the author of Kyushu Chronicles.
They talked about the process of getting to know Ning Zhou, which is quite amazing.
I can be regarded as a reader of Kyushu Chronicles.
Although due to busy work, I may be suspected of fishing for three days and posting on the Internet for two days, but there are a few articles in Kyushu Chronicles that really moved me.
After the research and development work of the first generation of Gu Jian Qi Tan was over, I learned that my friend Ibuki Wuyue was helping Kyushu to do illustrations, so I got to know the people there, and then I heard that someone in the magazine was actually playing Gu Jian Qi Tan and more than one, especially the talented Peking University girl named Ning Zhou, who is a die-hard fan of Baili Tusu. The first time I chatted with me, she called me Little Red Dot’s mother. This probably counts as fate, whether it’s for game development or writing.
Fantasy stories can impress other people with their works, which is one of the greatest joys of creation. I sincerely hope that the adaptations written by Ning Zhou can impress more people. It will make old players feel kind and also give new readers a chance to open up the world of ancient swords and strange tales.
Gate Years, Months, Chapter Preface All these years, I have been away for a long time, and you are still in Wenjiang. In fact, I haven’t played Gu Jian Qi Tan because I switched to the system two years ago, and Gu Jian can’t run on it.
I flipped it in my hand.
The CD of the ancient sword reminds me of the genuine Legend of Sword and Fairy that the brothers in the dormitory bought many years ago.
It was the first genuine CD I saw in my life. When I took it out of the CD box, it was as cautious as jade. The collector took out the new Hongshan Ancient Jade from the brocade box.
To this day, I can still remember a cherry-blossom-pink CD that spins on your finger, as if it is the key that can open a world. Push open the door of the world. Sword Qi The girl who cut the sky and split the sky smiled. That was the year when I was an undergraduate student at Peking University.
Pirated discs sold for 1 yuan.
A licensed game sold for about 10 yuan.
Our monthly food expenses are about 1 yuan. The monthly dormitory expenses seem to be 1 yuan. It’s not difficult to imagine how rare a genuine copy of a game would be in those days. Ah Jian, who lives in the same dormitory, went out one afternoon and bought it back.